{"id":3535,"date":"2025-05-12T19:22:44","date_gmt":"2025-05-12T19:22:44","guid":{"rendered":"https:\/\/socratestbs.com\/?post_type=product&p=3535"},"modified":"2025-07-09T23:55:20","modified_gmt":"2025-07-09T23:55:20","slug":"amedeo-modigliani-1884-1920-the-poetry-of-seeing","status":"publish","type":"product","link":"https:\/\/socratestbs.com\/ka\/product\/amedeo-modigliani-1884-1920-the-poetry-of-seeing\/","title":{"rendered":"Amedeo Modigliani: 1884-1920: the Poetry of Seeing"},"content":{"rendered":"

In endless odes to the female form, Amedeo Modigliani <\/span>(1884\u20131920) traced elongated bodies, almond eyes, and his own name into art history. His languid female subjects are as instantly recognizable as they are startling, sensual, and swan-necked<\/span>.<\/p>\n

Modigliani’s unique figuration corresponded to his own personal idea of beauty, but drew upon a rich variety of visual influences, including contemporary Cubism,<\/span> African carvings, Cambodian sculptures, and 13th-century painting from his native Italy<\/span>. Although most renowned for his nude females, he applied similar stylistic techniques to portraits of male artistic contemporaries such as Pablo Picasso, Jean Cocteau,<\/span> and Cha\u00efm Soutine<\/span>.<\/p>\n

With key works from his highly individualistic repertoire, this book introduces Modigliani’s brief but revered career at the heart of Paris\u2019s early modernist hotbed<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

In endless odes to the female form, Amedeo Modigliani <\/span>(1884\u20131920) traced elongated bodies, almond eyes, and his own name into art history. His languid female subjects are as instantly recognizable as they are startling, sensual, and swan-necked<\/span>.<\/p>","protected":false},"featured_media":3536,"comment_status":"open","ping_status":"closed","template":"","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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endless odes to the female form, Amedeo Modigliani (1884\u20131920) traced elongated bodies, almond eyes, and his own name into art history. 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